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Discover KABUKI 2025

Discover KABUKI 2025
DATE & TIME
June 20 (Fri) 2:30 p.m. - 4:30 p.m.
7:00 p.m. - 9:00 p.m.
*The finish time is an estimate and may vary.
Buy Tickets
BOX OFFICE
0570-07-9900 (Domestic Call Only)
03-3230-3000 (IP Phones & International Calls)

Program

In this performance “Discover KABUKI”, popular Kabuki pieces will be performed by the fine Kabuki actors for much wider audience to casually experience the fascinating world of Kabuki, which has a history of over 400 years.“Discover KABUKI” consists of two parts to guide you to the world of Kabuki.

1KABUKI Guidance

 A Kabuki actor will guide you “How to Appreciate KABUKI”.
 Easy-to-understand useful information to help you further enjoy this performance is provided through the Guidance: “How to Appreciate KABUKI” program.

2Experience the Live Performance of KABUKI
“Tsuchiya Chikara”

 We invite you to enjoy the masterpiece full of passion performed by an impressive cast.

A free audio guide in English or Japanese is available for this program,
along with subtitles (in English and Japanese) and a free multilingual booklet (in English,
Traditional and Simplified Chinese, Korean, French, Spanish and Japanese)
that includes the highlights and outline of the story.

What's KABUKI?

 Kabuki came into existence around 1603 with the arrival in Kyoto of a troupe of dancing girls led by a certain Izumo-no-Okuni, formerly a shrine maiden. Their dances created a sensation and were labelled "Kabuki" which, at that time, meant "unorthodox" or "eccentric". Such troupes of women were subsequently banned as were those of the dancing boys that took their place. They were succeeded by groups of adult men whose performances developed into Kabuki as it now exists. In the process, the original meaning of kabuki changed to become Ka(Song), Bu(Dance), Ki(Technique or Skill).
 Kabuki originally consisted of short dances but the repertoire now is huge and is made up of both plays and dances, most of which date from the seventeenth and eighteenth centuries. Originally the principal entertainment of the urban merchant classes, Kabuki is the traditional, popular theater of Japan and continues to flourish and draw large audiences. Kabuki is also attracting increasing attention abroad and is now regarded as one of the world's great theatrical arts, remarkable for its vigour.

Invitation to KABUKI

Cast

  • NAKAMURA
    Senjaku
  • BANDŌ
    Shingo
  • ICHIKAWA
    Seiko
  • ARASHI
    Kitsusaburō
  • NAKAMURA
    Kinnosuke
  • Guide…… ICHIKAWA Seiko
  • Tsuchiya Chikara…… NAKAMURA Senjaku
  • Maid Osono…… BANDŌ Shingo
  • Ochiai Kigetsu…… ICHIKAWA Seiko
  • Shin Kikaku…… ARASHI Kitsusaburō
  • Ōtaka Gengo…… NAKAMURA Kinnosuke

Story of
Tsuchiya Chikara

The story begins with the scene where Ōtaka Gengo visits the house of the Haiku poet Shin Kikaku. A year earlier, Gengo lost his feudal lord after a feud with Kira Kōzukenosuke, resulting in his unjust execution. Gengo and his colleagues, called rōshi, have secretly decided to avenge their lord. Unable to speak of the vengeance, Gengo tells Kikaku that he is moving away as he is going to enter into another lord’s service, and therefore has come to bid him farewell.

 Ochiai Kigetsu, a warrior who happened to be there late, accuses him of not taking part in the revenge for his lord. On parting, Kikaku presents a Haiku poem, “Toshinoseya mizuno nagaremo hitono mimo (It is the end of the year, one’s circumstances change like the flow of water)” to Gengo as a farewell gift. Gengo, in return, delivers a complementary phrase ― “Ashita mataruru sono takarabune (Awaiting a treasure ship that is coming tomorrow)” ― and walks away.

 That night, Tsuchiya Chikara, a hatamoto (direct retainer of the shogun) who lives next to Kira Kōzukenosuke’s residence, was talking to Osono, a ladies’ attendant and the sister of one of the rōshi, about the mind of the rōshi anticipating vengeance for their lord’s death. Then comes Kikaku, who talks about the incident involving Gengo. Hearing this, Chikara sees through Gengo’s real intention hidden in his Haiku. Then comes the sound of swords from Kira’s residence. Chikara exults, knowing he guessed right. So, what would have been Gengo’s true intention hidden in his Haiku “Ashita mataruru…”?

 As a high-ranking warrior, Chikara behaves calmly yet intrepidly. Learning that Gengo and his comrades have realized their long-cherished wish, he bursts with joy, which permeates the stage. Meanwhile, the charms of the powerful Kabuki lines sets off the passage in which Gengo recounts the firm determination of all the rōshi who achieved their ambitions.

Tickets

Online &
Telephone Booking
Opens on Tuesday May 13, 2025 10:00 a.m.

If tickets are still available on the day of the event, you may purchase them in person at the Box Office (on-site) for this performance.
Box Office (on-site): Open from 1:30 p.m. until curtain time

Students
All Seats2,000 yen
Adults
1st Grade6,000 yen 2nd Grade4,000 yen

(including tax)
20% discount for the guests with disabilities

⁕ Accessibility:
An app for individuals with hearing impairments is available. It displays the dialogues in both English and Japanese.
Box Office:
OPEN [10:00 a.m. - 6:00 p.m.]
0570-07-9900
(Domestic Call Only)
03-3230-3000
(IP Phones & International Calls)
Seating Chart

Access

Sunpearl Arakawa (Tokyo)

1-1-1 Arakawa, Arakawa-ku, Tokyo 116-0002